opera142: (crayons)
[personal profile] opera142
The way I remember being taught dialogue was that whenever someone new speaks, it requires a new line. I double-checked The Well-Tempered Sentence, and that's the advice it gave.

However, I've been seeing mashed dialogue in books lately. The sort of exchanges that go: "Do you want to come with me to the store?" I asked, gathering my purse and cloth bags. He scowled, not even bothering to look away from the television. "Hell no!"

I would split that into two paragraphs, either between "bags" and "he" or at "Hell no!"

Have I been seeing bad editing, or is there an exception to the dialogue rule that I'm unaware of?
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opera142

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